Shooting
Gallery
Step out of the car, sir.
I’m afraid I can’t, officer, I’m all tied up now.
I won’t ask again, sir.
It’s that bitch at home’s fault, I swear!
There’s a house with wide
open eyes,
With a righteous woman
peering out it,
Straight into an erratic
car,
Where she spies a man and a
woman high off her rocks.
Suddenly, like a mass
awakening,
All the house's eyes open
up,
As though their dormancy
had expired
Upon the prospect of
scandal.
Oh, what a scene!
The big man from the
perfect house,
He’s gone and done in his
wife!
You hear that? He’s killed
his wife!
What a whore of a woman!
She was always so kind when
I saw her at church…
Women are meant to wear
stagnant dresses,
That barely splash off
their knees, like pathetic streams.
Father throws himself on
his knees,
And raises his hands high
above him,
In an unerring prayer
To a God who he has claimed
to worship.
Praise the Lord, and you shall be forgiven.
That’s what I always say, officer.
Makes you want to burn yourself alive, huh?
Really makes you want to believe in it all.
There’s about a million
guns pointed at him,
And he’s just religiously dancing,
In caterwauling heels that
scrape the concrete,
And in a cascading dress
that drenches the night.
She’s a dancer at the club,
And I know because I used to go and watch her,
Like a little cowardly chameleon in a rainbow room,
Or like a little drop of clarity in a swamp.
Sir, please stop moving,
Or we’re going to have to
shoot.
Their guns are rounded like
cruel mouths in the night,
Of some malevolent force
out for murder.
I’ll take the car in tomorrow, honey.
Officers, would you give us a minute?
There’s a minute’s pause,
Then a million guns
discharge,
And suddenly Father can’t
speak.
He’s got a bullet in his
throat, you see.
He’s got a bullet in his
throat and he can’t quite speak.
No comments:
Post a Comment