Janice
Mother,
darling, broad,
She’s got a
lot of names,
Because she
is a chameleon on the kitchen wall,
Hidden
between domestic tiles.
When the
clock strikes the moon,
She slips
out of the kitchen in a billowy dress,
Like a
marauder in the night,
A true
femme fatale.
She rips
past a trembling car,
Slips by
the houses with their judgmental eyes,
As though
the panes of their windows were the
Irises of
god, blooming into espionage.
She comes
up to a backlit alley,
Where
degenerates come to curl up and die,
And she
bangs fiercely on the cruel iron,
Then wafts
inside like an insidious breeze.
She hurries
backstage,
And peers
beyond the curtain,
Searching for any familiar face.
In this
hellhole, everyone is a chameleon on the wall.
They’re all
scaly and wrinkled,
Like the
worn, weather skin of a chameleon
Who’s tried
too hard to hide all its life,
And now has
to live in constant shame.
This place,
it’s a fluorescent hell,
Laced with
ecstasy,
The kind
that you get in little pills,
Or the kind
that makes you cloyingly euphoric.
She’s a
moonlighter,
Both the
cheerful side of the moon,
And the
side as bleak as terminal illness,
But which
is which?
Little miss
in the kitchen,
Taking out
all her frustrations,
On the
dinner plates for the night?
Is this the
dark side of the moon?
Exotic baby
in the club,
Sipping
tequila with her boys,
In glasses
reserved for VIPs?
What if
every side’s the dark side?
No comments:
Post a Comment