Ecstatic
Janice, you’re an awful
woman.
How could you let this
desolate place
Be stained by your
presence?
Get back to the kitchen
wall, darling.
Leave the building,
Higher than euphoria,
Stripped bare of all your
senses.
A ripe flower ready for the
picking.
Who’s this man in the
parking lot, then?
Janice, look out, he’s got
a knife,
And it’s been in some
girl’s throat.
You could catch something.
Does he recognize you,
Janice?
Does he realize he’s
knocked the light out of
The bitch back home?
Better tell him soon.
Her hair’s strewn about the
upholstery,
And she’s giggling like a
starstruck teen girl.
He’s pulling his usual
spiel,
Because love makes you
blind.
She’s dancing in the seat,
And he thinks she’s
struggling,
And the houses have their
eyes closed again.
Two twisted figures
intertwined in an erratic car.
She’s on a plane of thought
That transcends sobriety,
And entails the opening of
the mind like a lotus,
Colored like a psychedelic
dunked in glitter.
Janice, honey,
You’re going to have to
tell him.
Her heels are caterwauling
as they clink
Against the back of the
seats.
His knife races along her
throat,
Like a thrillseeker at the
edge,
Or an addict on the cusp of
recovery.
Suddenly, she can’t speak.
She spasms a final dance,
And she tries to tell him,
But there’s a knife in her
throat.
Her hair’s bloodied and
strewn about on the upholstery.
Oh Janice,
You wanted an escape,
right?
This is what happens to
chameleons
Who doesn't stay stuck up
on the kitchen wall.
There’s a rapture in the
road as the sound of sirens approaches.
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